![]() ![]() Read some reviews, or my random thoughts on iOS music in general. Also available in iTunes, and listen free on Spotify. Here you will find my music for purchase & download. 2nd Anniversary Re-Issue Of Technopolis LostĪ special 2nd anniversary re-issue of my first album “Technopolis Lost” with a new cover, and previously unreleased bonus track.įull Service Netlabel, Magazine, Community and iOS Music Home.LayR – Multi Timbral Synthesizer November 2, 2017įind by App or Post Name Search for: Archived Reviews & Posts Archived Reviews & Posts Find by App or Posting Type Find by App or Posting Type Archives.KAULDRON – Stir up some magic! November 27, 2017.Get Plugged In With Eventide FX For iOS August 6, 2019.FAC: Fred Anton Corvest Mobile Bundle November 10, 2019.Bring in files from other apps with pasteboard support is easy, and always welcome. I only wish the timeline would run during playback, without having to touch anything.Ĭut, copy, paste, crop, slice etc, multiple tracks of files all on screen, and mix, match, and create whatever you can imagine. This live scrubbing is quite useful and helps with an audible cue of exactly where your finger is in relation to the waveform including a minutes and seconds timeline relating to where you are touching the file, and or what portion is highlighted for editing. Tap the highlighted area once to see a pop up of your various options, including the suite (All found by touching the “More” button on the right of the pop up bar) of FX and various tools.Īs you drag you finger over a waveform you can hear the sound under your fingertip. ![]() ![]() Touch with a long hold, and swipe back and forth to highlight the parts you want to edit. Selecting the areas of the file to work with is just like copying text in emails or notepads. It’s all manipulated by familiar touch gestures that are instinctive to most iPad users. Having a multi track editor with (mostly) everything visible side by side on screen is a smooth and streamlined delight. ![]() It won’t take long to really appreciate this design, and maybe become a little spoiled by it. They are however all there and easily accessible by touch. It might be so uncluttered compared to other editor apps, that it could be momentarily unsettling in that most menus, options, and tools are not in your face and obvious. This is because unlike Hokusai’s internal format, the AudioCopy file format clips permanently.”Ī little side techie note on audio copy in general, it’s 16bit signed integer audio format, and Hokusai uses a much higher quality 32 bit floating point format.īack on topic, Hokusai has a very uncluttered, pleasantly minimal design and work area. If (and only if) it does clip, then it re-normalises the audio slice to 100% as it AudioCopies it. I wondered and asked again, “Why is that?”Ĭanis at Wooji kindly explains, “When you AudioCopy a slice of audio, Hokusai scans the slice to see if it clips. This means that if you turn the volume back down (perhaps by normalising it again after applying the effects), you’ll get your unclipped sound back.”Īfter reading his reply I went back and played with Hokusai some more, but this time went on to copy the edited file, and then paste into my other app where I was mixing my project. However, unlike some editors, Hokusai itself doesn’t clip permanently: although the sound gets clipped as it plays back, the actual sound data is undamaged. “If you normalise to 100%, then apply reverb, and echo, then since the sound started at 100% and you’ve now applied (for example) 10% echo, the sound is at 110% and you’ll clip the limits of the iPad hardware. ![]()
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